logos.jpg“History is not about the facts. It is about the context and who is telling the story.” —Prof. Milton Fine. 

"Who controls the past controls the future: who controls the present controls the past."   –– George Orwell in his novel "1984." 

"Whoever doubts the exclusive guilt of Germany for the Second World War destroys the foundation of post–war politics." ––  Prof. Theodor Eschenberg, Rector, the University of Tübingen.

"If we have our own why in life, we shall get along with almost any how."         –  Friedrich Nietzsche

 

POSTER GALLERY  --view

over 500 German film

original posters betweenpngtree-15-years-anniversary-logo-with-ribbon-png-image_5280377-1812814530.jpg

1927–1954  from

Germany and from

many Axis and Neutral countries

across Europe!  

 

Note!  Posters in the Poster Gallery are PERMANENT

acquisitions which are NOT FOR SALE!!   ONLY the

posters listed in our POSTER STORE are for sale. 

(They have a price and order button to use.)

 

Der Film als politisches Machtmittel

 

Der Film als politisches Machmittel  (The Film as an Instrument of Power) was written in 1933 after the National Socialists took power.

It was written by Dr. Hans Traub, who was at the time a professor at the University of Griefswald and a Referent at the German Institutre for Newspaper Clients in Berlin. He later joined the Ufa studio at Babelsberg as head of the new Archives of the 'Filmakademie' Film School. He wrote the official history of Ufa (Die Ufa, 1943, Ufa Buchverlag, Berlin)  and was an important film expert and researcher until his death during WWII through blood poisoning. 

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This 30 page booklet examines the use of the motion picture in feature films, cultural films, educational films, newsreels (Wochenschauen) in terms of propaganda and "Tendenzfilm" potentials, and the role of the Censor as a propaganda agent.

Traub argues that the motion picture is the second most important means of delivering language and propaganda –– the most important means being the voice of the Führer. He further argues that movement and rhythm are both tools of propaganda and ideology.  

As one of the first, if not the first, statements about the use of film by the Hitler regime in government, it is a very rare and important document.  Postage included, worldwide.

 
Year
1933
 
Director
 
Country
 
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